‘We Viewed Every Opportunity to Film in Person as a Fleeting Gift’ | Paula Eiselt, ‘Aftershock’ Jan 23 Written by Bryce Kirchoff 1 Bryce Kirchoff Previous Previous 10 Must-See Black Films at the 2022 Sundance Film Festival Next Next 2022 Sundance Review: ‘Aftershock’ Explores the Maternal Health Crisis Facing Black Women
‘We Viewed Every Opportunity to Film in Person as a Fleeting Gift’ | Paula Eiselt, ‘Aftershock’ Jan 23 Written by Bryce Kirchoff 1 Bryce Kirchoff